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2019: The Year That Social Media Comes Full Circle

Kim · Apr 24, 2019 · Leave a Comment

I haven’t written a blog post for ages. Years even. I’ve been flat out with client work and haven’t really given myself a break. I’ve started a few but never got as far as publishing them before they feel out of date. And that’s the problem. When you’re writing about social, news expires within weeks. New updates and algorithms and rules mean that what worked last month, probably doesn’t work anymore.

But recently I’ve noticed a trend that I felt compelled to comment on.

It started last year with Facebook prioritising ‘meaningful interaction’ on the Newsfeed. This algorithm update really put a spanner in the works for brands and editorial sites who had put all their eggs in Facebook’s basket. Sure, organic reach had been declining forever but this update explicitly meant that to be in with a chance of your content being seen you either had to pay for it with ads and boosts, or you had to create content that actually resonated with your audience and probably try some actual community management, not the post-and-forget-about-it style of social media management that has become so popular.

Unfortunately, this update may have kick-started the decline of Western democracy, but hey, the engagement was up by 50% year on year.

The same thing is happening with Instagram, organic reach has dropped to less than 10% for most brands, and gaming the algorithm means getting actual engagement on your posts. That’s comments and shares and tags, not the lazy double taps that don’t really mean much of anything. This was the reason more and more small business were turning to Comment Pods, to try and stay relevant.

On Twitter things weren’t quite so dire, (in terms of content, obviously Twitter has other issues it’s busy ignoring) as the algorithm was always opt-out-ish. However a series of updates over the last year focused on making conversations easier to read and engage with.

Then I saw this article being shared across social as the new big thing. https://www.theguardian.com/media/2019/apr/05/its-genuine-you-know-why-the-online-influencer-industry-is-going-authentic Influencers! With interests! Being authentic!

This was the stage where it all started to feel a bit 2009. Remember, way back when social media was in its infancy and the entire point of using any of the platforms was to find and interact with people with similar interests? Community managers were community building for brands who were genuinely interested in connecting with their online audience and finding out what made them tick? Before social media became a flaming cesspool full of clickbait content, trolls, and badly targeted ads? Back then every deck we presented was heavy on authenticity. Faking it won’t work! We declared. Trust is the most important thing!

It’s all about community.

The way that we can save social media (and quite possibly the internet) is to rewind the last 5 years and go back to caring about what we post. Create content with your audience in mind. Not everything has to appeal to everyone. Chasing reach and vanity metrics is one of the reasons that we’re in this mess. (Also, great content really helps you with organic reach)

Need more evidence that people are thirsty for long-tail content?

Interest-based communities are quietly flourishing while the big 3 try and figure out what to do.

Amino, a mobile app built around fandom and communities, had as of last year over 10 million downloads on the Playstore, and user numbers keep growing.

Amino raises $45M to bring fan communities to smartphones

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You all know how I feel about Tumblr being the undisputed home of fandom. Well according to SimilarWeb, Tumblr still ranks 10th globally in the Internet & Telecom/ Social Network category. (Even after the porn ban, the monthly uniques are on the way up again)

Reddit, another community where people engage around content themes (or subreddits) has been quietly growing and growing and “As of March 2019, Reddit had 542 million monthly visitors (234 million unique users), ranking as the No. 6 most visited website in U.S. and No. 21 in the world”

My point is this.

It’s still totally possible to connect with your fans online. But to do this we need to stop approaching things with a one-size-fits-all mentality. Take the time, do your research. Learn who your potential audience is, what else they like, what they use which platforms for. Then figure out what you can do to get them interested in you. Stop just pushing out content that nobody needs. Think about the user and make sure there’s a clear objective.

Years back, I used to put this simple diagram in every talk I gave

It turns out, a decade on this is still the key.

Let’s make social media in 2019 good again.

If you’ve got a project that you think I could help with please get in touch.

Brands and Tumblr and Social TV. Things you should know.

Kim · May 4, 2016 · 3 Comments

This post started out as a bit of a rant about certain brands on Tumblr not using it very well, but on re-reading , I decided it might be more useful to talk about why Tumblr is great, what it’s great for (hint Social TV and fandoms), and why you should be using it.

Tumblr (when used properly) is a brilliant platform for the right brands to reach the right communities.

Tumblr themselves have made it so easy for us as marketing types. They update Fandometrics every single week, so you can always be up-to-date on what’s trending in your field. Imagine Facebook doing something as helpful!

According to a 2015 study by Global Web Index, 48% of Tumblr users say they follow their favourite brands on the platform, and when executed properly, it’s a great place for brands to distribute platform appropriate content to their fans. Take a look at the ‘Sponsored Posts’ Year in Review section for superb examples.

The Tumblr community understands fandom and nerdiness and ‘the internet’ in a way that other platforms of a similar size seem incapable of doing. Look back at Dennys and the advent of ‘foodom.’ If you’re interested in learning more about the platform and its key demographic, Elspeth Reeve just wrote a brilliant article for the New Republic.

Tumblr is – as far as I’m concerned – the undisputed home of social TV, (in the post-show sense, Twitter is still the go-to for real time viewing) Yet few networks/shows take advantage of the massive fandoms that keep the platform ticking over.

This is the place that the fans that ‘get’ the shows live.

Remember the Hannibal Tumblr? It was so great that people would write articles about how great it was. Tumblr was the place that the Fannibal community was born – it exploded onto Twitter and Instagram and the rest of the internet. Same with Supernatural, Doctor Who (the reboot), Sherlock, Teen Wolf – the list goes on and on.

Tumblr is where the things you’ll be reading about in two years time are getting started now.

Tumblr represents a massive (and currently woefully under-used) opportunity if you’re a UK publisher/TV production company/games developer/create anything that people get nerdy about.

One of the problems I have when trying to convince clients/agencies that we should be looking at Tumblr as a platform is ‘reach’ – the idea that UK Tumblr numbers aren’t worth the investment.

According to 2016 data from Global Web Index – 11% of UK interenet users have used Tumblr in the last month. The number rises to 30% in the 16-24 demographic. But it’s when you look at behaviours, that the numbers become even more attractive.tumblr

Alongside the 48% of users who follow their favourite brand, 70% of Tumblr users have bought a product online in the last month and an even more incredible 64% of users have reviewed a product online in the same time frame*.

The Tumblr community might not be as big as some of the other networks, but they’re early adopters who review online as a matter of course.

If you’re looking to talk to the ever elusive Snapchat audience, but you’d quite like content you can track, that lasts longer than a day, and you’re also big into metrics, then you should give Tumblr another look.

If you have any kind of an entertainment content and you’re looking to tap into the social TV audience, you should consider this platform.

Tumblr recently published their December 2015 numbers, and they’re impressive.

I’m not saying that Tumblr is for everybody – it’s definitely not. But if it is for you/your brand/tv show and you get your content and tone right, it’s one of the best (and certainly one of the most creative and fun platforms) that there is. Keep it in mind.

*All this data comes from the same GWI report

Social Media and Social TV are not the Same Thing!

Kim · Jun 23, 2015 · Leave a Comment

Okay, maybe that title was a little misleading, in that social media is definitely an intrinsic part of social tv as it provides the tools that make it possible.

What I’m really trying to do in this post is point out that the two things, although sounding the same, require very different approaches.

Which is why I’ve come up with 4 principles for you to consider, when approaching a social TV project.

Social media for both brands and broadcasters, is an often awkward, slightly perplexing idea.

Yes, you need to be visible on it, yes you need to be creating some form of content as part of this deal, and yes you need to be listening and responding to your consumers. But this is where the similarities end, for one simple reason*

People are already fans of TV shows!

They’re interested in the stories you have to tell, they’re interested in the secrets you can share, they’re interested in the exclusives you can dangle in front of them as your will decides.

With brands, people are largely interested in getting stuff for free and customer service, unless you’re lucky enough/smart enough to have built a really strong content offering, solidly over time then getting them to stay interested in your content in 2015, is pretty hard work.

So, it makes sense that you would go about developing your social media strategy for a broadcaster, quite differently than you would for a brand.

When it comes social TV, it really is all about the fandom.

Fandom is something that brands rarely have unless they’re very, very good with Tumblr (I’m looking at you Dennys)

The key to creating a good social TV strategy is understanding the fandom. Only then can you create the kind of content that fans will go crazy for.

This sounds obvious, but time and experience have taught me that it’s really not.

Just to be clear, I’m not saying you need to love the shows, but you need to understand the fandom.

In every social TV project that I’ve worked on, I’ve started with the fandom and worked my way outwards to the mainstream.

Starting with the mainstream is never going to work, because those guys aren’t going to be bothered about your show unless it’s popular right now.

Fandom is what makes the show popular, it’s what buys the shirts and the boxsets and creates the art and goes to Comicon and gets the people on Facebook interested in watching in the first place.

Not all platforms are created equal

Yes, this goes for regular social too, but (kings of social TV, The CW will tell you) it’s more pronounced with TV. (Or as I like to put it, don’t try Superwholock on Facebook.)

Different types of people naturally gravitate towards certain platforms. Always, always look at your analytics and then use them to hone your hunches.

Different platforms require different content types and different timings. Are you looking to build buzz, drive to TX or drive to catch up? Each of these things will benefit from understanding the whens are wheres and whos.

Also, people are beginning to make noise about Snapchat being the future of social TV, so you might want to keep an eye on that.

Oh, and always check fandometrics.

Everyone loves a reaction gif.

Seriously.

If you want to know more about any of this/are looking for some help with social TV, then please drop me a line.

*Yes, I know there are exceptions to this rule, but they are just that, exceptions.

How Broad City’s social media strategy delivers, as well as being MASSIVELY FUN.

Kim · Mar 12, 2015 · Leave a Comment

It’s probably not a big secret that I’m a huge TV nerd, and as such I love Social TV. What I’m constantly astounded by, is how little thought and effort is put into most TV show social strategies. Sure, Doctor Who and Supernatural do some stuff, but in all honestly – most of this is fuelled by fandom, not smart, creative thinking.

Enter Broad City.

Until I researched this piece, I had no idea that the creators and stars Abbi and Ilana worked in SEO/social pre web-series, but suddenly all became clear.

As the second season of Broad City launched on Comedy Central in the US, it was obvious that the girls had upped their game. Their Facebook, Twitter, Instagram and Tumblr presence was top notch, but not satisfied with that they decided to hit dark social as well, creating their own keyboard app, so you could now share your fave Abbi and Ilana gifs with your BFF in texts.

They partnered with Lyft and created a Broad City bus (that featured a replica of Abbi’s apartment) and drove it around picking up customers, who then Instagrammed it like crazy. (hashtags front and centre)

But the real genius was in the way the show was aware of which moments in each episode people were going to want to share. These were the ones they created gifs and stickers from and served up in their keyboard app. This was updated weekly, after each new episode with content that had just aired.

They also created in show moments that referenced online content – who can forget the al dente dentist or the glorious Body By Trey dot Biz ?
Don’t get me wrong, these ladies were a content marketing machine, throughout the 10 episode run all of the owned channels posted regularly, but it didn’t ever get annoying, even if you followed them on everything. Reasons being

1) The tone of voice was always totally on point.

This isn’t a brands saying BAE type situation. Abbi and Ilana can talk like millennials, because they are millennials.

2) Catchphrases that are good hashtags.

There was no attempt to keep jokes running longer than they needed to. These girls (and their marketing team) understand that Twitter is all about the now so each episode would feature at least a couple of super hashtaggable moments, just ripe for the tweeting.

3) Their approach was integrated perfectly, but they kept their channel content separate.

Gifs and longtail content goes on Tumblr, videos are uploaded natively to Facebook, Twitter is perfect for gifs, memes and showing off fan art. Although the content occasionally crossed over, the strategy was clear and it worked. None of it felt like an marketing ploy dreamt up by a middle aged man who doesn’t get it.

Their social strategy feels less ‘put together’ than HBOs for Girls (which caters to a similar demographic), where everything feels a little bit more corporate than it should. With Broad City it all manages to feel natural and effortless. And this in turn, makes you really, really want to be their friend.

This is a perfect example of an always on social media campaign with well thought out content at its core.

It’s something we should all aim for.

Oh, and check this out for some of the best Broad City social moments.

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