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Who Are The UK Euphoria Social Fandom?

Kim · Mar 11, 2022 · Leave a Comment

Season Two of Euphoria has proved nothing short of a global phenomenon. It’s become the most tweeted about TV show of all time, and the second most-watched show in the history of HBO.

As in my last post, I’m going to use social listening to understand who is talking about the show in the UK. Most of the press coverage I’ve read has been from middle-aged journos who are exhausted/traumatised from just watching the show. A theme that started at the beginning of the first season – but who are the show’s actual fans and what do they think?

For this project, I’ve analysed the Twitter conversation using #Euphoria originating in the UK from Feb 1st until the season finalé.

I looked at 9.1k original posts, which generated 50k engagements and 23 million impressions.

This is interesting in itself, as it indicates that people are sharing and liking others’ content much more than creating their own. It also tells us that many of the fans are tweeting tens of times per week about the show. In fact, there were only 15.1k unique authors in the entire search, further enforcing the idea that this fandom shows their love through others’ creations.

Who are the Euphora fandom?

The first thing to note is that these fans are rabid. Many of them live-tweeted the show, with one fan tweeting about the show an incredible 702 times during the final month of the show being on air.

The overall audience is more than 70% female and almost 50% of them live in or around London.

This audience has no particular influencer/celebrity affinities, only 27% of them are following Zendaya and 30% Ariane Grande and these are the two most common affinities.

Here instead we are seeing at least 7 disparate groups of people who aren’t particularly connected, all talking about the show in their own way.

For example, the LGBTQA+ audience are primarily male, and they talk more about Rue than any other character, whereas the Glaswegian cluster who were 3 x as likely to be female talked more about Fez.

Other interesting findings included the discovery of a cluster of female wrestling enthusiasts (both females who wrestle themselves and fans of female wrestlers) who over-index on Twitch use. These folks are more interested in talking about Rue and Maddy than anything else.

Social listening audience analysis of the UK Euphoria Fandom

When are they online?

As we’ve seen before, the strategy of weekly episode drops is one that works particularly well for driving social conversation, as these fans tend to live tweet/next day tweet the show and then not really talk about it until the next episode. This ensures the social longevity of the conversation.

When we see shows releasing all episodes of a season at the same time (the Netflix model) we tend to see a hyper-concentrated mass of posts for 7-10 days after the initial release date, and then the conversation fades away almost entirely.

Which social platforms do they favour?

Looking at the audience as a whole we see that they over-index on using most social platforms, but that Snapchat, Spotify, Reddit and Twitch come top.

It’s interesting that Reddit is here, as I’m seeing it show up more and more in searches you wouldn’t expect it to be dominant, a testament to the ever-growing importance of Reddit as a platform.

Which characters do they like?

You might expect a huge number of the posts to mention Zendaya, considering just how popular she is right now, but only 388 original posts even mention her by name/hashtag. This compares to the almost 1k posts that talk about Rue (the character she portrays) suggests that this audience are far more interested in the characters and their stories than the actors who are playing them.

I analysed mentions of the character names over the last 5 episodes.

The first noteworthy thing is that 74% of the total posts about the show mentioned at least one character. This is a super high percentage of character posts and confirms that it’s the characters and their stories that are at the core of this show for the fans.

Rue was the fan favourite, but Fez was just behind her in terms of volume, with Cassie and Lexi following next.

When I looked specifically at the last episode, Ashtray and Fez each generated 25% of the overall conversation.

What was surprising was the lack of conversation around Nate Jacobs – for a toxic character that fans love to hate, he receives under 9% of character mentions.

Outside of the conversation around the show, I discovered that over 25% of the analysed audience were using “gorgeous gorgeous girls” regularly, and a slightly smaller number were creating content around the feminine urge. Understanding the memes that resonate with your community early on, allows you to create the right kind of content and be accepted by the fandom as you can speak the same language.

What content do they create and share?

This is a selection of the most shared and liked posts. This show is a perfect demonstration of how posts become viral. Someone with 34 followers posts content that resonates with other fans, and within a day it has over 200k likes.

Interestingly we see no official or ‘critic’ based content in the best performing content, because although these publishers have huge platforms, what they’re writing is not resonating with the fandom.

Fez – “do you think other people will find me handsome?”
Me #Euphoria pic.twitter.com/bpXx9ofNqg

— Holl (@Holliescott19x) February 21, 2022

lexi single handedly humiliated the fuck out of nate and got him to break up with cassie. she is that bitch #euphoria pic.twitter.com/m8Jlax9z3j

— jules apologist🧣 (@omotitty) February 21, 2022

So they give Elliot a fricking gig half way through but don’t show the Mandy & Cassie fight, doesn’t explain the fact Rue still owes a human trafficker 10k, the disappearance of McKay or what was in fez’s letter to Lexie.
MAKE IT MAKE SENSE! 😭 #Euphoria pic.twitter.com/3iRG8f72u6

— Linzi-Louise (@louise_linzi) February 28, 2022

the two types of friend #Euphoria pic.twitter.com/c1RSJ0v2pB

— your mom (@uglywh0re6969) February 28, 2022

What matters to them?

I wanted to identify the core themes that came up when people talked about Euphoria. I started by looking at the keywords that were most often used by the (older) TV journos. I looked for posts that talked about it being hard to watch, and the abusive nature of the relationships, but there were so few it was negligible.

What did become apparent was that the fans of the show talk about love, and friendship and how much the show moves them (often to tears). And for a show with the tagline ‘feel something’ I would consider that a resounding success.

Takeaways

  • There appears to be a real disconnect between the fans’ and the critics’ opinions
  • Although critics may dominate the conversation in terms of impressions – their thoughts on the show are often completely misaligned with what the fans say
  • The fans exist in their own social world clusters and their only real common talking point is the show
  • Up to the minute memes are the perfect way for the fandom to communicate in real time
  • HBO understand and facilitate this by ensuring that the most memeable moments of each show are instantly available on their official Giphy channel
  • The reason for the success is that the show makes its viewers feel something. This is echoed in the social listening data. (If you’re interested, here’s a great video essay about this point)
  • HBO UK share content about their own show, but don’t seem to understand what the fans like about it/how they talk. For example, they tweeted asking people to sum up Fez and Lexi’s relationship – but don’t use any of the popular ship names that fans are using
  • Each social platform has a community who talks about Euphoria. Here we’ve looked only at Twitter, but the Instagram Euphoria community is filled with beauty influencers, the TikTok community love the fashion and to point out how unrealistic the whole thing is. This kind of information is invaluable when thinking about how to shape your social strategy

Why do these social listening insights matter?

By really understanding who your potential social audience is, what they like /what they don’t, you can create strategies that work. Your content can live in that magic social space between brand goals and audience interests. You can identify possible pain-points, influencers and detractors, and utilise these in your plan. You can understand when they’re online, who you need to advertise to and who you don’t so your paid social campaigns are more effective.

There are so many things you can learn when you undertake a social listening or audience mapping project. It’s not limited to social strategy, but I wouldn’t create a social strategy without social listening.

As always, if you’re interested in learning more about any online topic, or you want help with creating a social strategy that will resonate with the people you want to reach then please get in touch!

I Talked to Pulsar Platform About the Work That I Do

Kim · Sep 16, 2020 · Leave a Comment

Those of you who have read my previous posts know how highly I rate Pulsar Platform as the best way to do social listening. I talked to them earlier this year about the ways that I use their platform and how effective is has been in allowing me to craft strategies with brilliant results.

Click the image to head over to Pulsar and read the full piece.

Social Media and Social TV are not the Same Thing!

Kim · Jun 23, 2015 · Leave a Comment

Okay, maybe that title was a little misleading, in that social media is definitely an intrinsic part of social tv as it provides the tools that make it possible.

What I’m really trying to do in this post is point out that the two things, although sounding the same, require very different approaches. 

Which is why I’ve come up with 4 principles for you to consider, when approaching a social TV project.

Social media for both brands and broadcasters, is an often awkward, slightly perplexing idea.

Yes, you need to be visible on it, yes you need to be creating some form of content as part of this deal, and yes you need to be listening and responding to your consumers. But this is where the similarities end, for one simple reason*

People are already fans of TV shows!

Nerd Rage gif from 30 Rock

They’re interested in the stories you have to tell, they’re interested in the secrets you can share, they’re interested in the exclusives you can dangle in front of them as your will decides.

With brands, people are largely interested in getting stuff for free and customer service, unless you’re lucky enough/smart enough to have built a really strong content offering, solidly over time then getting them to stay interested in your content in 2015, is pretty hard work.

So, it makes sense that you would go about developing your social media strategy for a broadcaster, quite differently than you would for a brand.

When it comes social TV, it really is all about the fandom.

Fandom is something that brands rarely have unless they’re very, very good with Tumblr (I’m looking at you Dennys)

The key to creating a good social TV strategy is understanding the fandom. Only then can you create the kind of content that fans will go crazy for.

This sounds obvious, but time and experience have taught me that it’s really not.

Just to be clear, I’m not saying you need to love the shows, but you need to understand the fandom.

In every social TV project that I’ve worked on, I’ve started with the fandom and worked my way outwards to the mainstream.

Starting with the mainstream is never going to work, because those guys aren’t going to be bothered about your show unless it’s popular right now.

Fandom is what makes the show popular, it’s what buys the shirts and the boxsets and creates the art and goes to Comicon and gets the people on Facebook interested in watching in the first place.

Not all platforms are created equal

Yes, this goes for regular social too, but (kings of social TV, The CW will tell you) it’s more pronounced with TV.  (Or as I like to put it, don’t try Superwholock on Facebook.)

Different types of people naturally gravitate towards certain platforms. Always, always look at your analytics and then use them to hone your hunches.

Different platforms require different content types and different timings. Are you looking to build buzz, drive to TX or drive to catch up? Each of these things will benefit from understanding the whens are wheres and whos.

Also, people are beginning to make noise about Snapchat being the future of social TV, so you might want to keep an eye on that.

Oh, and always check fandometrics.

Everyone loves a reaction gif.

Seriously.

If you want to know more about any of this/are looking for some help with social TV, then please drop me a line.

*Yes, I know there are exceptions to this rule, but they are just that, exceptions.

© 2023 Kim Townend

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