The Blog

Social Media and Social TV are not the Same Thing!

Kim · Jun 23, 2015 · Leave a Comment

Okay, maybe that title was a little misleading, in that social media is definitely an intrinsic part of social tv as it provides the tools that make it possible.

What I’m really trying to do in this post is point out that the two things, although sounding the same, require very different approaches.

Which is why I’ve come up with 4 principles for you to consider, when approaching a social TV project.

Social media for both brands and broadcasters, is an often awkward, slightly perplexing idea.

Yes, you need to be visible on it, yes you need to be creating some form of content as part of this deal, and yes you need to be listening and responding to your consumers. But this is where the similarities end, for one simple reason*

People are already fans of TV shows!

They’re interested in the stories you have to tell, they’re interested in the secrets you can share, they’re interested in the exclusives you can dangle in front of them as your will decides.

With brands, people are largely interested in getting stuff for free and customer service, unless you’re lucky enough/smart enough to have built a really strong content offering, solidly over time then getting them to stay interested in your content in 2015, is pretty hard work.

So, it makes sense that you would go about developing your social media strategy for a broadcaster, quite differently than you would for a brand.

When it comes social TV, it really is all about the fandom.

Fandom is something that brands rarely have unless they’re very, very good with Tumblr (I’m looking at you Dennys)

The key to creating a good social TV strategy is understanding the fandom. Only then can you create the kind of content that fans will go crazy for.

This sounds obvious, but time and experience have taught me that it’s really not.

Just to be clear, I’m not saying you need to love the shows, but you need to understand the fandom.

In every social TV project that I’ve worked on, I’ve started with the fandom and worked my way outwards to the mainstream.

Starting with the mainstream is never going to work, because those guys aren’t going to be bothered about your show unless it’s popular right now.

Fandom is what makes the show popular, it’s what buys the shirts and the boxsets and creates the art and goes to Comicon and gets the people on Facebook interested in watching in the first place.

Not all platforms are created equal

Yes, this goes for regular social too, but (kings of social TV, The CW will tell you) it’s more pronounced with TV. (Or as I like to put it, don’t try Superwholock on Facebook.)

Different types of people naturally gravitate towards certain platforms. Always, always look at your analytics and then use them to hone your hunches.

Different platforms require different content types and different timings. Are you looking to build buzz, drive to TX or drive to catch up? Each of these things will benefit from understanding the whens are wheres and whos.

Also, people are beginning to make noise about Snapchat being the future of social TV, so you might want to keep an eye on that.

Oh, and always check fandometrics.

Everyone loves a reaction gif.

Seriously.

If you want to know more about any of this/are looking for some help with social TV, then please drop me a line.

*Yes, I know there are exceptions to this rule, but they are just that, exceptions.

How Broad City’s social media strategy delivers, as well as being MASSIVELY FUN

Kim · Mar 12, 2015 · Leave a Comment

It’s probably not a big secret that I’m a huge TV nerd, and as such I love Social TV. What I’m constantly astounded by, is how little thought and effort is put into most TV show social strategies. Sure, Doctor Who and Supernatural do some stuff, but in all honestly – most of this is fuelled by fandom, not smart, creative thinking.

Enter Broad City.

Until I researched this piece, I had no idea that the creators and stars Abbi and Ilana worked in SEO/social pre web-series, but suddenly all became clear.

As the second season of Broad City launched on Comedy Central in the US, it was obvious that the girls had upped their game. Their Facebook, Twitter, Instagram and Tumblr presence was top notch, but not satisfied with that they decided to hit dark social as well, creating their own keyboard app, so you could now share your fave Abbi and Ilana gifs with your BFF in texts.

They partnered with Lyft and created a Broad City bus (that featured a replica of Abbi’s apartment) and drove it around picking up customers, who then Instagrammed it like crazy. (hashtags front and centre)

But the real genius was in the way the show was aware of which moments in each episode people were going to want to share. These were the ones they created gifs and stickers from and served up in their keyboard app. This was updated weekly, after each new episode with content that had just aired.

They also created in show moments that referenced online content – who can forget the al dente dentist or the glorious Body By Trey dot Biz?

Don’t get me wrong, these ladies were a content marketing machine, throughout the 10 episode run all of the owned channels posted regularly, but it didn’t ever get annoying, even if you followed them on everything. Reasons being

1) The tone of voice was always totally on point.

This isn’t a brands saying BAE type situation. Abbi and Ilana can talk like millennials, because they are millennials.

2) Catchphrases that are good hashtags.

There was no attempt to keep jokes running longer than they needed to. These girls (and their marketing team) understand that Twitter is all about the now so each episode would feature at least a couple of super hashtaggable moments, just ripe for the tweeting.

3) Their approach was integrated perfectly, but they kept their channel content separate.

Gifs and longtail content goes on Tumblr, videos are uploaded natively to Facebook, Twitter is perfect for gifs, memes and showing off fan art. Although the content occasionally crossed over, the strategy was clear and it worked. None of it felt like an marketing ploy dreamt up by a middle aged man who doesn’t get it.

Their social strategy feels less ‘put together’ than HBOs for Girls (which caters to a similar demographic), where everything feels a little bit more corporate than it should. With Broad City it all manages to feel natural and effortless. And this in turn, makes you really, really want to be their friend.

This is a perfect example of an always on social media campaign with well thought out content at its core.

It’s something we should all aim for.

Oh, and check this out for some of the best Broad City social moments.

What to do when a client won’t pay an overdue invoice!

Kim · Mar 9, 2015 · Leave a Comment

Late last year, I was approached by a local business, recently opened in the area, to help them build their social presence and hopefully their customer base.

I was really keen to get involved as I feel it’s important to support the area I live in, and it’s always great to see new ventures opening up near to me.

Long story short, I met with them and outlined a plan I also agreed to both their payment terms and a reduced rate (which were different than my own, but I was trying to be supportive of their endeavour in any way that I could.)

I began work for them by creating a strategy, agreeing a direction and ways of working and right from the get-go they weren’t delivering on what we’d agreed. (Not giving me the content promised/rescheduling meetings at the last minute) but I just put this down to the upcoming holidays/general client inefficiency.

A couple of weeks before Christmas (I’d been working for them for the better part of a month now) I invoiced for the first half of the agreed amount. They had asked me to do this in our initial meeting – this was on their timescale. Invoice terms had been set at 7 days.

7 days came and went, and I was assured that the payment would be made soon. I didn’t worry too much about this as it was the holidays, I was just mildly annoyed until the client stopped responding to my emails or texts.

In early January I eventually got the details of their financial controller who emailed me back a few days later saying that unfortunately he didn’t have a payment date as of yet. No explanation as to why or when he might. Literally a one-liner.

This was what really annoyed me as it showed such a massive lack of respect. I continued to chase for payment, but to no avail.

In frustration (and not naming any names) I tweeted about overdue invoices, and a company called Safe Collections responded to me.

Now, I’ve never used a debt collection service because I haven’t had to. I’ve had overdue invoices before, sure, but they’ve always kept me posted as to what was going on and when I could expect payment.

I was at the end of my tether with this client so I contacted Safe Collections and they were super helpful right from the start. They take on the job of dealing with the client for you (very persistently) until they settle the account. I just had to give them the client details and fwd them any relevant correspondence about payment.

It took the guys at Safe Collections just over 3 weeks to get my invoice paid, they updated me at every step and just took the hassle out of dealing with my worst ever client. It was worth every single penny of the teeny amount they charged for their services.

No-one asked me to write this post, but I thought it might be helpful for other freelancers/ small business owners to know that there are people who can help resolve situations like this.

I find it irksome that given the way that business works, if you complain publicly about not being paid or treated very well, it’s you who is seen as unprofessional, while the client continues as usual and you’re put in a situation that makes you feel (somewhat) helpless.

If you’re ever unlucky enough to experience this, just be aware there are things you can do while still retaining your professional integrity.

So, we’ve all finally agreed that Facebook is primarily a paid channel, what next?

Kim · Nov 25, 2014 · Leave a Comment

Some called it at the beginning of the year, and with each new announcement from Facebook in 2014 it became more and more apparent that the days of free product advertising were done.

OH NO!

What are we going to do?

I think that we’re missing the point a little bit here. The thing is, social media was never supposed to be about traditional marketing. Remember when it was just starting and it seemed infinite with possible uses? Guess what? It still is.

There are 2 things that I want to remind everyone of before we all start freaking out about the end of social;

Facebook is not the be all and end all of social media

It’s no secret that I’ve never been a massive fan of Facebook, the audiences I have managed on there have always felt like just that, rather than communities. There are other platforms, many more appropriate to the people that you’re trying to reach. Facebook is full of horrible, badly made content right now and something needs to be done to address that. Remember forums and using Twitter like a human being? There are loads of other places you can be to engage with people who like what you’re doing.

Social Media was never supposed to be about just marketing anyway

Content is supposed to be interesting to the people who are seeing it. There’s only so many “competitions” and artfully placed photos of your product that people can see and still find entertaining. What’s really happening here is that brands who haven’t really thought about what their social strategy is besides ‘um, reach?’ are in trouble.

As I’ve said before, social isn’t just for marketing, and your 2015 strategy should reflect that, or you’re going to be spending an awful lot of money on showing product pictures to people who aren’t very interested.

Social customer service is still woefully bad in most cases, and yet this is what changes brand opinion the most. This blog post posits that good social customer service allows you to be active in the social space.

Given all of this, you would imagine customer service would be at the centre of most social strategies. But it’s still not. If you want to win at social in 2015 I’d advise getting your product people, your marketing people and your customer service people in the same room and building a strategy out from there.

Good social customer service alongside finding a compelling way to talk about your brand will always be a good foundation.

This wasn’t supposed to be a rant, more a call to arms to remember why we got into this business in the first place.

I’m looking at this as a way to be more creative and hopefully use 2015 to do some of my best work yet.